Interfacing
Interfacing has become an integral
component in garment industry recently with designers , students , tailors
using interfacing for every garment they design and sew. I believe it is essential
to have a clear understanding of the product , purpose and fashion feature before
using it.
Now , do you find this confusing ?
Here I will explain interfacings that are commonly used in garment industry and
the key factors .
Interfacing is a layer of fabric either
sewn or fused to provide shape, steadiness and structure to garment .for eg. It
is used in plackets in buttons and buttonhole areas to avoid shape distortion
and stretch, in collars and cuffs to add crispness and in facings and lapels to
add stability and structure. In garmenting it is used to preserve the shape
while in costuming it is used to add drama or the desired theatrics.
There are two types of interfacings
used in the garmenting industry namely fusible and non – fusible or sew – in
interfacing.
Fusible
and non fusible
Fusible : Fusible interfacing are
easy to use and convenient in handling. You just need to iron the fusible
fabric on the wrong side of the fashion fabric which has heat activated
adhesive to stick completely to the fabric.
Non – fusible : Sew – ins or non
fusible like the name suggests are to be sewn to the fashion garment as second
layer. These are less likely to change the hand and feel of the fabric but
serve the purpose of adding volume , structure and opacity.Goats hair and horse
hair are two very good example of sew – in interfacings used in tailoring later
majorly being used in haute couture garments. Non – fusible are advised for
fabrics that display residual shrinkage like cottons where a fusible
interfacing can damage the look of the entire garment.
Fusible and sew – in interfacings
are available in woven , non – woven , knit , warp and weft insertions (knits)
Before one starts using the
interfacings it is essential to understand the key factors that guide the use
of interfacing : A appropriate and functional interfacing should be:
·
In coherence to the fashion fabric
in relation to fibre content , care , count , and conduct .
·
It should be or have the same
‘grain’ and ‘give’ as the fashion fabric with which it is being used. When
applied it should be in sync with the fashion fabric and when fusible
interfacing is used care should be taken that there are no bubbles , wrinkles ,
folds or creases .
·
Harmonize closely with the fashion
fabric in colour ; dark with dark and light with light . It should not alter
the colour of the fashion fabric and if an interfacing of suitable weight
cannot be procured one should go for lighter weight than heavier.
·
Provide apposite support needed to
improve or preserve the shape of the silhouette of the garment.
·
Should be used wisely and in the
appropriate place in a garment . It should suit
the pattern , design and garmenting condition .
Functions of
interfacing
- The purpose of interfacing is :
- To provide stability to the fabric preventing stretch and sagging .
- Tailored and refined seams like in corsets.
- Strengthen areas .
- Support restrained areas like necklines’ , armholes , hems etc.
- Stabilize belts , waistbands.
- Give smooth and flat board like body.
- Provide shape to areas like shoulders , collars , cuffs , etc.
Selecting interfacing
guidelines
Selecting
interfacing at times is so difficult that many sewers prefer to use the same
interfacing for all type of fabrics and all type of garments and in all the
areas. Learning basic principles will help to enhance the look of the garment
and give a professional edge which would eliminate guess work.
· Interfacing should be considerably lighter or of
similar weight as that of fashion fabric being used . The only exception being an
exaggerated effect needs to be created
or to alter the drape and hand of the fabric.
- Pre-test of interfacing on the fabric is always advised for an amateur . Run a swatch test to check the effect . A fusible interfacing gives more body and flat board like appearance to certain extent and non fusible would only add body. In case of suitable interfacing you need not trim away the seams as it does not bulk.
- Interfacing should have the same ‘grain’ and ‘give’ as the fashion fabric and also same in weight and colour to certain extent if not similar.
- Interfacing should required the same care and storage as the fashion fabric. Interfacing will either be fused to the fashion garment or sewn with the fashion garment so both must carry same guidelines for washing or dry cleaning.
- There might be more than one type of interfacing needed for one garment like a belt would need a heavier interfacing than a collar and same or lesser weight interfacing for other sections. The ‘right’ interfacing is the one that serves the purpose of its use.
- Consider the heat sensitivity of the fabric when using a fusible interfacing. Otherwise also the two fabrics should be compatible with respect to heat , steam and pressure for future laundering and ironing.

3 comments:
Very impressively written article. It seems you have immense experience in this field. The way you have described at the end how to choose different types of interface is teally very striking. You seem to be a person of solid vision with an indepth knowledge of your subject. Kudos to such an informative and well written article.
Thanks Sajid Mahmud for reading. And for the note of appreciation.
waist band
woven interfacing
non woven interfacing
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Under collar felt
Circular Knitted interlining
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